Volunteer Trip to Ecuador!

action Ecuador

I have amazing news- an upcoming project I’m incredibly excited about!!

I’ve been cast with a group of actors and artists going to Ecuador this summer. We will be living there for 30 days, participating in a series of workshops, lectures, and incredible experiences.

The BEST part is that we get a chance to give back and make a real difference. Our group will work within disenfranchised communities and with indigenous people, empowering the local youth with theatrical education. We will help them find their voices through the magic of acting and playwriting, giving them the tools to tell their stories.

This will all culminate with the creation and performance of our own original pieces inspired by our experiences in Ecuador. Our casts will preview these works in Quito before performing them in a festival in NYC the following week. Continue reading

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On Being (and Not Being) Carol in Mamet’s “Oleanna”

From time to time as an actor you find yourself truly falling in love with a role. There are certain ones that just speak to your soul in a way you can’t undo. You become woven into the fabric of each other, and you come to care for them in a strange way- strange only because, by nature of being a “character”, they are fictional.

These characters don’t truly exist, and they are subject to the opinions of those artists playing and directing them. Of course. We know this….

Still, I can always tell when I’m head over heels for a character I want to play because the same thing happens to me every time: I become desperately protective of them. I’m suddenly worried that no other artist in the world could possibly understand them the way I do, and that, out of my control, they will become terribly misunderstood by the entire world.

More often than not, it is the nature of our business that we do lose those roles. There are vast numbers of actors feeling this way, and just the one role.

Such it has gone for me. In a few weeks time I met, studied, deeply understood, became wildly obsessed with and overly protective of, auditioned for, went to callbacks for, and subsequently lost the role of Carol in a production of David Mamet’s OleannaContinue reading